This unit offers a study of the music of the Western Christian Church with an emphasis on music history, biblical imperatives, and ‘traditional’ and ‘contemporary’ practices. It examines effective music ministry through historical and contemporary case studies, and encourages participants to look critically at the musical practices of their own worshipping communities.
Upon successful completion of this unit, it is expected that students will be able to:
- outline a chronology of key events in music history, especially as it relates to the Western Christian Church, and describe their original, traditional and current significance
- identify key features of the context and method of ‘successful’ Christian music and music making
- interpret a range of contemporary and historical sources with various historical and critical tools
- discuss the implications of particular musical understandings for the practice of ministry in the contemporary Christian church
- apply key principles of historical and musical criticism to (musical) texts
* recommended for purchase
Joncas, J. Michael. From Sacred Song to Ritual Music. 20th Century Understandings of Roman Catholic Worship Music. Minnesota: Liturgical Press, 1997.
Foley, Edward. The Foundations of Christian Music. Grove, 1992.
Leaver, Robyn. The Liturgy and Music. A Study of the Use of the Hymn in Two Liturgical Traditions. Grove Liturgical Study #6, 1976.
Routley, Eric. Church Music and the Christian Faith. London: Collins, 1978.
* Westermeyer, Paul. Te Deum: The Church and Music. Minneapolis: Fortress, 1998.
Westermeyer, Paul. The Church Musician. Minneapolis: Augsburg Fortress, 1997.
Wood, H. D’Arcy. “Music for Liturgy in an Australian Context”, Australian Journal of Liturgy, vol. 6, no. 2 (October 1997).
Wren, Brian. Praying Twice: The Music and Words of Congregational Song. Westminster: John Knox Press, 2000.
Young, Carlton. My Great Redeemer’s Praise. Ohio: OSL, 1995.